See also
Husband: | Paul DESSAU (1894-1979) | |
Wife: | Living RUGE ( - ) |
Name: | Paul DESSAU1,2,3,4,5,6,7,8,9 | |
Sex: | Male | |
Father: | Sally DESSAU (1849-1923) | |
Mother: | Louise BURCHARD (1863-1942) | |
Birth | 19 Dec 1894 | Hamburg, Germany1,2,4,10,11,12,13,14,15 |
Occupation | Composer, Musician and Conductor | |
Immigration | 1933 (age 38-39) | to Herblay, Val-d'Oise, Île-de-France, France |
Immigration | 1939 (age 44-45) | to New York, USA |
Residence | 1 Apr 1940 (age 45) | New York, USA16 |
Marital Status: Divorced; Relation to Head of House: Partner | ||
Residence | 1942 (age 47-48) | New York, USA17 |
Address: 344 West 84th Street See draft card |
||
Residence | 1943 (age 48-49) | Los Angeles, Los Angeles, California, USA |
Residence | 27 Apr 1945 (age 50) | California, USA18 |
Residence | 1948 (age 53-54) | Germany |
Death | 28 Jun 1979 (age 84) | Königs Wusterhausen, Dahme-Spreewald, Brandenburg, Germany1,2 |
Burial | 1979 | Mitte, Berlin, Germany1,2 |
Address: Dorotheenstadtischer Cemetery |
Name: | Living RUGE | |
Sex: | Female | |
Father: | - | |
Mother: | - |
Paul Dessau was born in Hamburg into a musical family. His grandfather, Moses Berend Dessau, was a cantor, his uncle, Bernhard Dessau, a violinist at the Royal Opera House, Unter den Linden, and his cousin Max Winterfeld became generally known under the name Jean Gilbert as a composer of operettas.
From 1909 he majored in violin at the Klindworth-Scharwenka-Conservatory in Berlin. In 1912 he became répétiteur at the City Theatre (Stadttheater) in Hamburg. There he studied the works of the composers Felix von Weingartner and Arthur Nikisch and took classes in composition from Max Julius Loewengard. He was second Kapellmeister at the Tivoli Theatre in Bremen in 1914 before being drafted for military service in 1915.
After World War I he became conductor at the Intimate Theatre (Kammerspiele), Hamburg, and was répétiteur and later Kapellmeister at the opera house in Cologne under Otto Klemperer between 1919 and 1923. In 1923 he became Kapellmeister in Mainz and from 1925 Principal Kapellmeister at the Städtische Oper Berlin under Bruno Walter.
In 1933 Dessau emigrated to FRA, and 1939 moved further to the USA where initially he lived in New York before moving to Hollywood. Dessau returned to DEU with his second wife, the writer Elisabeth Hauptmann, and settled in East Berlin in 1948.
Starting in 1952 he taught at the Public Drama School (Staatliche Schauspielschule) in Berlin-Oberschöneweide where he was appointed to a professorship in 1959. He became a member of the Deutsche Akademie der Künste Berlin in 1952 and was vice-president of this institution between 1957 and 1962. He taught many Meisterschüler (pupils in a master class), including Friedrich Goldmann, Reiner Bredemeyer, Jörg Herchet, Hans-Karsten Raecke, Friedrich Schenker, Luca Lombardi and Karl Ottomar Treibmann.
From 1954 he was married to the choreographer and director Ruth Berghaus. Their son Maxim Dessau (b. 1954) studied at the College of Film and Television (Hochschule für Film und Fernsehen) in Potsdam-Babelsberg. He is now a movie director.
Dessau composed operas, scenic plays, incidental music, ballets, symphonies and other works for orchestra, and pieces for solo instruments as well as vocal music. Since the 1920s he had been fascinated by film music. Among others he wrote compositions for early movies of Walt Disney, background music for silent pictures and early German films. While in exile in Paris he wrote the oratorio Hagadah shel Pessach after a libretto by Max Brod. In the 1950s in collaboration with Bertolt Brecht he focussed on the musical theatre. During that time his operas were produced. He also wrote Gebrauchsmusik (utility music) for the propaganda of the German Democratic Republic. At the same time he lobbied for the musical avant-garde (e.g. Witold Lutosławski, Alfred Schnittke, Boris Blacher, Hans Werner Henze and Luigi Nono).
*Award of the music publisher Schott 1925
*National Prize III. Category 1953
*National Prize II. Category 1956
*National Prize I. Category 1965
*Vaterländischer Verdienstorden (''Decoration of Honour for Services to the GDR) in Gold 1965
*Karl-Marx-Orden (Karl-Marx-Decoration) 1969
*National Prize I. Category 1974
Dessau died on 28 June 1979 at the age of 84, in the then East German city of Königs Wusterhausen, on the outskirts of Berlin.
There is a Paul Dessau Strasse in Hamburg and in Berlin.
Paul Dessau was a famous musician and composer. When he was a young man his parents sent him to Paris to study. During World War II he was able to come to Santa Monica, California, where he worked for the film industry. However, after the war, during the McCarthy era, Dessau had trouble getting work in Los Angeles because of his Communist/Socialist beliefs. In his youth he had been friends with Ulbricht in the Communist Youth Brigade in Germany. Ulbricht became the prime minister of East Germany, and invited Dessau to return to Germany as a man with privilege. Dessau returned, became the director of the Berliner Ensemble, and composed numerous operettas which are still performed in Germany. He also collaborated with Berthold Brecht in writing operettas. when Norman Kulla and Katherine Mader visited Germany in the 1970's they met Dessau in East Berlin. He had complete privileges, which were very unusual, to go to West Berlin to shop. In the west he would buy all of his and his families toiletries and music albums. When he met Norman and Kathy he was driving a new Mercedes and wearing a velvet suit. After meeting in the west, and shopping in a drug store, Dessau took some toiletries and put them in his pocket without paying for them. When queried by Norman, he smilingly muttered anti-capitalistic slogans. Thus were the ways of an "artiste".
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